Interestingly, the Australian Design Institute is listing in career profiles “Design Management” amongst graphic, industrial, interior, etc.

It states: “With the integration of design into the business planning process of many large national and international companies and the identification of design as a major factor in competitive advantage the management of design has become a specialisation in its own right.”(DIA)

With this in mind, I researched who offered jobs with the title of “Design Manager”, or “Manager, Design” in Australia or who included ‘design management’ as skills/experience/qualification. You may have guessed it, the “Design Manager” demand, I found, is for a property and construction industry profile. Alternatively, it is also a production manager’s job. So who and where are these professionals in Australia that work in ‘design management’ as defined by DIA? Would be good to hear from the companies who employ them or the recruiters who place them.

It may sound like a recruiter’s job only, but the matter of fact is, your marketing success will be determined by the skill set and experience of the person in charge of your marketing. As such, you should take a keen interested in finding the person with the right profile for your SME. As discussed earlier, in SMEs marketers have a generalist profile, but even the most broad knowledge does not cover all aspects that are necessary to connect to the target audience on an initial shoestring budget.

Hiring for the start-up phase

You want a person who can market plan and understands the value of organising not only your planning, but comes well connected to local vendors when it is time to implement activities. It is important to start off with a strong brand development. The marketer in the start-up phase can either develop brands (has a creative background, e.g., comes with a job title like ‘art director’) or is a marketing manager who can direct an outsourced team to develop the brand in accordance with your market strategy. This includes knowledge or access to market research so that the brand development is grounded in real world needs and wants of your customers. Don’t fall in the trap of thinking that all you need is a logo for your business cards, unless you are not serious of building a company brand that gives you return on investment.

A person with strong creative background may give your visual market presence the edge if you are in life style industries, however, if you are manufacturing widgets or other commodity products, you may want to consider a B2B (business-to-business) marketer with a commerce degree who understands the ins and outs of B2B marketing and out sources the creative parts on your behalf.

SME brands are now in a fortunate position to have low-cost, far-reach digital tools at their communication disposal but it requires some dedication and expertise to leverage them. Most of all, after the start-up phase, marketing is about widening the appeal and building on existing equity internally and externally of your business. You might find, that your start-up brand builder or manager does not want to continue in a monitoring role, or that stewardship and control is not their cup of tea. Find a supplement or replacement for the next phase in your company life cycle.

Hiring For Growth

This is the phase when initial ground work has been done, the company should have a brand identity and marketing direction. And a pretty good understanding who their customers and competitors are and will be. The creative part now involves planning and steering the brand. Stewardship is replacing development for the most part of the marketer’s SME role. Budget presentation, market research and campaign planning are the forte of SME marketers in a business growth phase.

The role is working closely with your sales department (where applicable) and influences service delivery and internal brand building (internal brand building: connecting your brand with your employees). How much of the stewardship can and should reside in one person depends on your growth plans and business strategy. As mentioned in part 1 of this post, its about skill distribution and industry fit.

PROFILE: Senior Marketer, Corporate

In a larger organisation, the marketing department consists of a team of marketers who have complimentary administrative and strategic skills. Senior marketers are often strategic planners who are guiding the company.

Under their leadership, junior staff are collecting market research, research competitors and execute and administer the marketing plan. Brand development and advertising in most cases is outsourced. Corporate Marketing’s overarching objective is stewardship of the brand.

PROFILE: Senior Marketer, SME

In SME’s this is usually a combined skill set resting within one person. This person should have both, administrative and strategic skills. This is very difficult to find, as the marketing field requires a large set of skills and people tend to specialise in one of the areas of marketing expertise as typically required by larger organisations. Often SME senior marketers have a stake in the company and spearhead their investment.

Senior marketers are on board either from the early start-up phase or when the company hits the financial glass ceiling where further growth is only possible with customer relation management, positioning strategy and regular budgeting. SME owners have to identify whether the marketer has the right skill set to transit from strategic to administrative task set and back.

We commonly see  job ads asking one marketer ‘to design ads’, ‘create brochures’ write marketing plans’, ‘liaise with sales teams’,  ‘conduct research’ and ‘manage events’. The ‘on a shoestring, one size fits all, versatile and exciting busy role’ approach is asking for the amalgamation of ‘Graphic Designer’, ‘Marketing Manager’, ‘Marketing Analyst’ and ‘Events Coordinator’ in one person.

Would you trust the effective and timely delivery of your service order from one single person attempting to explore, survey, mine, quote and sell gold from the mine you own? In the next part we discuss more on the profile of SME marketers.

However, somehow in the midst of ‘doing’, firms often can’t define or emphasise their competency in such ways that it would give them competitive advantage in the market. To improve the competitive advantage, we suggest to clients to look into three areas of strategic planning. The firms’ core competencies need to be identified, Market trends to be scouted for and competitor intelligence need to gathered to arrive at meaningful strategic planning outcomes.

This is where we ask- who is doing it? In smaller firms, marketing is often understaffed or not at all present. Increasing organisational capability is becoming vital if any firm wants to grow or expand. How would you know that your invested dollars are giving you return? The role of marketing in your organisation needs to be seen clearly. We encounter very different types of marketing personnel in organisations, not always with the set of skills required to identify competitive advantage for the company. In our upcoming posts, we will discuss some of the different ‘marketer types’ we think of.

Picasso (1907) Source: Wikipedia

Richard Ogle described how Picasso came to paint ‘the first real masterpiece of the 20th Centrury’, the Les Demoiselles d’Avignon. In his book ‘Smart World‘ Ogle argues that there is no such thing than the lonesome Genius who came up with the idea overnight.

Regardless of profession or calling, Ogle argues, that humankind has a collective consciousness in which trailblazers like Picasso delve to retrieve their ground breaking ideas. Picasso is quoted in referring to African art for the inspiration of this painting.

By thinking outside the brain and tapping into the extended History and wealth of experience of the extended Mind (Ogle 2007, 10) we see how all great inventions actually came to be. Think of the internet itself- Wikipedia is just one example of such an extended external brain in action.

It is interesting to look at intangible assets in firms that way. Perhaps intangible assets (Intellectual Property, Trademarks and Patents) and their nature of ’suddenly leaping onto stage’, thus ‘disrupting the status quo’ are just an expression of where we are going as a human society. Look closely and we can see how the collective conscious is opening up individual creativity, for example with the ‘Open Source’ concept.

Not one company can claim to ‘own the ideas’ since everything is connected through history, material, memory. This is a scary thought for economists and accountants alike. Yet, this disruptive idea space (Ogle) was first named by Schumpeter as prerequisite to entrepreneurship.

The intangible is quickly becoming a new stage of consciousness, a way forward to the next new thing. It is true that our current Western business models  can’t put a price tag on it- which I assume means ‘making the intangible tangible’ in current economic thinking. If the summary of collective social networks are actually creating the new value in our economies than it is time to investigate the consistency of this mix instead of denying its contribution to firm assets as not quantifiable.

The most prevalent areas in which the small businesses have problems
are Sales/Marketing (40.2 per cent),
Human Resource Management (15.3 per
cent), and General Management (14.3 per
cent). Specifically, Promotion, Market Research, and Training are the most frequently encountered problems, all of which are knowledge or skill related, reflecting the general shortage of expertise in small business sector.

It is not that these smaller businesses are not doing any marketing – they would not be in business if they were not – but that the effort in marketing lacks professional input and expertise. And, when businesses turn to the published literature for help, they find that writing on marketing focuses on larger organisations. Managing marketing activity is a different beast within a department of 10 people compared to the owner/manager developing their own marketing.

Regardless of the view among smaller businesses that marketing is a weakness many smaller businesses are very good at marketing. SMEs may even be more responsive to the market and far more flexible than their larger competitors. But these businesses still look enviously at the big consumer brands and wonder how they too can achieve such awareness and provenance. Marketing in smaller businesses tends to concentrate on sales and promotional tactics rather than on the big strategic issues.

And herein lies the problem. Despite the perception, that such wide awareness requires lots of Marketing expenditure, it is actually the lack of strategic competence and knowledge amongst SME owners/managers that prohibits effective Marketing and market awareness of the SME offering. Sales and Marketing are often either lumped together wit Sales taking a precedent over Marketing. As Paul Fifield writes:

Remember:
Sales is about ensuring the customer buys what the company makes. Marketing is about ensuring that the company makes what the customer wants to buy.

Both areas require a different professional skill set and mindset. Companies, regardless of size, should not be lead by either mindset or preference. They should be market-led, not inside-driven. But that is another aspect of the problem altogether.

There are however, fundamentals that can make all the difference. These are Consensio’s SME brand observations based on market experience and marketing literature:

• cultivate brand emotions
• build corporate and product/service brands and understand how to use them
• integrate marketing and brand development
• develop matching brand affiliations
• create a consistent brand logic
• link the brand to the people and personalise it
• Document your logic and keep experimenting with the right media mix

Ten Years later, and without quantifying the number of businesses in WA, I am assuming the same Marketing issues still apply to our SME’s.

She did not make an effort to hide the label (and why would she, since the bottle was recognisable anyway). Her image, nipping from the bottle was shown on the large screens and recorded. Later on she asked for somebody to ‘give me the Coke, err I mean, some of that unnamed beverage‘. Suddenly she was conscious that she gave the soft drink giant a huge free wrap. I am hoping she does not have a deal with Pepsi. Her circle of influence in Australia is big and the pulling power she possesses would certainly be of interest to any other brand.

Typically, ‘personalising the brand’ is described in Brand literature as ‘..powerful role models within an organisation, such as a media savvy CEO’s like Richard Branson or Anita Roddick‘. Aaker and Joachimsthaler (2002,79) talk about the concept of personalising as litmus test of organisations. Often, if a company does not have a role model, it makes one up that embodies the values and vision the organisation likes to stand for and asks the question: What would (our role model) do? Would he/she like it?

Pink, like so many artists has to be her own true north on this, as she embodies her own organisation and is her own CEO. Very rarely are brands so entwined with emotions than in the music and film industries. I wonder what litmus test Pink uses to determine her brand alliances?

QUESTION ONE

What are the pre-requisites (skills/attributes) needed to obtain a career in your specified field (eg. illustrator, brand/identity designer, photographer, etc.) within the Creative Industries? (4 pre-requisites needed + one line explanation OR reason why)

Consensio Brand Developer

1. Attention to detail (quality design requires flawless execution and cooperation with all parties involved)
2. Big Picture awareness (“how does what I do fit in with client business objectives?”)
3. Service Delivery (quality control and communication skills to sell ideas)
4. Research skills (includes keeping up academic and research about industry and competitor trends)

QUESTION TWO

What are some of the typical activities you perform within you current role/position? (4 examples needed)

1. Presentation of ideas to clients and stakeholders
2. Project management
3. Execution of design ideas
4. Quality control of project execution

QUESTION THREE

What project/accomplishment are you most proud of within your career?

When our client says: “I love it, I get it, I want it, it’s better than what I could have imagined, and my customers want it too!”

QUESTION FOUR

What personal advice/tips would you give to someone wanting to enter into your career path?

What I do now I did not imagine 20 years ago. I only got there because I was open to learn more about myself, the industry and where the gaps are. Don’t be defensive about feedback, no matter how it comes across. Maybe you should not follow a defined path. Make your own rules and step out of the picture now and then and evaluate on an ongoing basis your weakness and strength. After all, we are getting paid for thinking and working creatively in return for authentic business results. The only personal brand you should cultivate is your distinctive sense of humour.

Consensio: We both agree that creativity does not need innovation but innovation does not happen without creativity. You are challenging people in organisations to think outside the box, (thus to become more creative). How do you teach them to go beyond creativity?

Kevin Carroll: I define innovation as something that is new and different AND THAT ADDS VALUE. If it doesn’t add value, then I classify it as simply creativity. If the idea can increase someone’s pleasure (make you more productive, gain you more respect, create more revenue, build your awareness in the marketplace) or decrease their pain (lower your stress, help you lose weight, save you time) then it’s adding value which means it’s innovation.

Consensio: What made you realise this is an organisation issue and what are you doing as a consultant to address that?

Kevin Carroll: Everybody is constantly talking innovation, innovation, innovation..or they use the cliché: “Think Outside the Box.” But I realized that no one teaches people how to do it. It’s nice talking about it, but you have to know how to execute the process.  Also, Breakthrough Thinking needs to be fostered throughout the organization and rewarded…I show them how to do that, too.

Consensio: Are you confronted by some organisational members (eg accountants and CFO’s) who don’t think workshops and courses are money effectively spent? How do you counterbalance these barriers?

Kevin Carroll: I show them my case studies to prove the ROI.

Consensio: Do you use your own problem solving techniques? when do you catch yourself not using them effectively?

Kevin Carroll: Yes, I use my own problem solving techniques and I use some that have been around for centuries. The key is that we all need to build the habit so that we use them automatically. I catch myself getting stuck frequently and I have to consciously apply the techniques.

Consensio: If you could wave a wand and creativity would become the natural tool for organisational problem solving, would we automatically build better products and services?

Kevin Carroll: Yes we would, because we would have a clearer understanding of what the underlying problem really is and we’d be able to fix it. The biggest challenge with being more innovative is that people do not define the problem clearly!!! They state it in vague terms and they then they go about trying to solve it. You’ll get nowhere doing it this way.

Consensio: Would more or just different types of consumers and clients buy them?

Kevin Carroll: Both.